before we were jobless

we were lazy on Sundays
always pancake days
we’d mix and beat the batter heat
pans with butter pats and swirl cream
over lava cakes of banana and nut
eaten in high stacks
go right back to sleep

sundays were the only days
we could do that
mondays through saturdays,
one or both’d be up and at ‘em
at six sometimes five
yes-bosses aimed to beat
our sunday rituals flat
we were exhausted
but not-quite whipped
we’d wake at seven
make feasts for fools
eat to burst
fall back asleep
re-wake around noon
begin the day proper
now in your dad’s car

Brennan Thomas has published poetry in engine(idling, Rue Scribe, and Right Hand Pointing.  She currently resides in Pennsylvania and teaches creative writing at Saint Francis University. 

LIFE WITH THE OBITS

My father morosely turns the newspapers
straight to the obituaries.
That could be the guy he went to school with
or the girl who worked at the Five and Ten
so many years ago.

And there he is
picking at the names of the dead
like they’re scabs
and beneath, red and raw,
are the wounds of his own life.

But then he cheers up
because he’s found himself a wake to go to.
He can catch up with some friends
who haven’t died yet.

John Grey is an Australian poet, US resident, recently published in Midnight Mind, Novus and Calliope. Latest books, “Bittersweet”, “Subject Matters” and “Between Two Fires” are available through Amazon. Work upcoming in Levitate, White Wall Review and Willow Review.

Crucify the Adjectives

Words are empty.
Nothing more than a weighty abstraction
bouldered down through human history.
In essence, nothing more than mere constructions—
sculpted gutturals insanitizing the masses into herd poisoned cliques and countries.
The words are heavy and heady.

One day they will bring forth the end
of the so-called sapient humans

 

Heath Brougher is the editor in chief of Concrete Mist Press. He is a multiple nominee for the Pushcart Prize and Best of the Net Award as well as recipient of Taj Mahal Review’s 2018 Poet of the Year Award. His most recent publications are “Beware the Bourgeois Doomsday Fantasy” (Sandy Press, 2024) and “Change Your Mind” (Alien Buddha Press, 2019).

One More Secret

Perplexed,
I continue
to take this
drifting dream.
Who wouldn’t?

I am with you.
I would not have
it any other way.
Still, it is not
real. I know.

Perplexed,
we hold hands
for the first
time. We kiss
for the first time.

It feels strange in
the morning when
I see you.
I keep one
more secret
to myself.

Lunar Heirlooms

You hook up a theremin to an heirloom radio,
irradiating a home with lunar waves,
find the fishing wire with which to string
a banjo, lost in the dusty corner
with stacked old newspapers,
as I commune with the torn window blind,
the boxes for furniture.
The humble television of our life is cracked.
The kitchen table is crowded with lovely
light bulbs, paint bottles, and hand tools.
The pigment jars in the corner sing an aria of enjoyment,
so what can’t we fix, craft, repair?

Heather Sager lives in Illinois where she writes poetry and fiction. Her most recent poems appear in Chiron Review, Tipton Poetry Journal, First Light Journal, Northwest Indiana Literary Journal, and more. 

monochrome

like the vague orange horizon,
my life is floating over there.
even me can’t sink into it.
even the full moon can’t illuminate it.
although i should be in the center of the horizon,
i’m just gazing at it in this place far from it.

Girl

Girl
Psilocybin
Your hair is on fire
Mesmerize
It’s the girl show
But she’s a lady
A sexy lady
Book and cigarette in one hand
Claw gripping our carnal fate in another
I can’t function in a dying world
You’re beautiful
Mesmerized
By the show of you
The Barbie show
IS that your name?
Or just the fake icon of third & 4 th wave feminism you worship?
Waterboarding Barbie
In the house
This house
The doll’s house
Call it the seXXXy
‘(yes triple x)
Lady Erotic Performance Art Exhibition
I WANT TO FUCK
AND MAKE LOVE TO YOU
Redefine casual intimacy in sacred fleeting sweat intermingled moments
On a hardwood floor
Entwined within a gasoline drawn circle
Black cats
The watchers of fate
Squint
But if we can’t guide one another to gallows of disrepair
Leaping
Somewhere free
Away from tender mercies
Veiled deceit
Light the match
Feast on my heart
Handcuffed to me
Ya’ can’t run
Duct taped thighs
Watch each other burn
Alive inside

Mike Zone is the Editor in Chief of Dumpster Fire Press, co-founder of Deadstar:Control, manager of the band Tail From the Crypt and producer for the record label Paranormal Vinyl Cassettes & Hair Xtensions. He is the author of: Wonderful Turbulence, Fuck You: A Fucking Poetry Chap, & The Earth Was Shaking For Days and Shedding Dark Places (almost) along with being the co-author of The Grind and Razorville. A frequent contributor to: Alien Buddha
Press and Mad Swirl. His work has been featured in: A Thin Slice of Anxiety, Horror Sleaze Trash, Better Than Starbucks, Piker Press, Punk Noir Magazine, Synchronized Chaos and Cult Culture Magazine.

Rumor Has It

I have heard the rumor that
We were young once. That
Was before the sag and drape
Of crepe and fold, akin
To the droop of a garment
Too-long worn. Torment of age,
We rage and wage the battle
Without any hope that
Tactic or strategy will win
The day or bring a victory.
Youth is forever history.
What we earn from history
Is that we learn from history–
Nothing. Or so rumor has it.

Bruce Morton divides his time between Montana and Arizona. He is the author of Planet Mort (FootHills Publishing, 2024) and the chapbook Olive-drab Khaki Blues (FootHills, 2026). His poems have appeared in numerous online and print venues. He was formerly dean at the Montana State University library.

Basic

Calm under Pressure
… Controlling
that (Inner) Burn.
‘Desire’ temperature
-rises at the same
speed as ‘Anger’
… yet, branches off
a bit before ‘Boiling’.
Courage is not
found at centre point
of ‘Fight or Flee’
… it is Uneven,
and Unbalanced…
the ‘HARD ROAD’
… which is why
it’s (Normally) Quiet.

Paul Tristram is a widely published Welsh writer who deals in the Lowlife, Outsider, and Outlaw genres.  He wrote his first poem as a teenager following his release from the (Infamous) Borstal ‘HMP Portland’, and he has been creating Literary Terrorism ever since. His novel “Crazy Like Emotion”, collection of shorter fiction “Kicking Back Drunk ‘Round The Candletree Graves”, and full-length poetry collections “The Dark Side Of British Poetry”, “It Is Big And It Is Clever”, “South Wales Outlaw” and “Uncivil Disobedience Is My Forte” are all available by Close To The Bone Publishing.

I walk the baby

around the streets to help him sleep
at the back of the black topped houses
tile hats pulled low over the eyes
of second floor windows
hawthorn hedges cut thick and raw
by rusty garage shears
demarcating the rutted reserves
where lopsided cars with leaky tires are laid to rest
past the Army Reserve Centre
and its boxy battlefield ambulances
abandoned by the chain-link fence
only warm bodies for miles around
and the frenetic dog walkers
with all of their fluorescent zeal
in the park I can hear the culvert running
the sedges matt their roots on muddy banks
but I can barely see in the dark
just smell the wet soil
and the soiled bins lining hoggin paths
fetid with all the neighbours’ secrets
fed furtive into the open mouth
of this curiously private public space
the night turns seedy
all of the groping hands of leafless trees
and when he wakes
his hat slips over his eyes too
as he wriggles in the cot cocooned
and I wait just a little while longer
before I pull it back up
so that he can see again

 

Daniel Cartwright-Chaouki is a writer and gardener from Birmingham, England. His writing is informed by a range of themes and ideas. In particular, he focuses on the intersection between people, plants and landscape. His work has previously been published in Brand Magazine, Pulp Poets Press, Bodies on Bodies Magazine and The Cannon’s Mouth.