The Myth of Screaming by C.L. Liedekev

The Myth of Screaming

They say my father
could have gone pro,
or played college ball,
maybe Lasalle, West Chester,
and that he would never miss
as he swooped into the lane,
the Apollo of the family,
his jet black anemone
arm hair waving
in the summer pick-up games,
at the courts chipped
and broken next to the apartments,
his voice a grunting echo,
hands palm the ball
over the horizon of the swings,
jungle gym, sandbox
where once the black kid dove
headfirst, face covered in
hornet stings and panic, then
an ambulance blanket.
He came out of the same woods
where one night a truck
filled with hollering men
and rifles shot the trees
up for a mythical deer or spirit bear.
Each time my father
dribbles the ball between
legs, through mountains of bodies,
the story then peaks
with my mother’s voice,
more of her teeth, incisor gates
shut, portcullis trap,
oil pouring through the gaps,
my sister in tow,
short-haired, blonde,
pixie-Ariel, riding the fear,
a vulture gliding on the updraft,
watching as the volcano
splits the concrete of the court,
chip of gray blacktop pours
into a red crevice, Brucie
and Bryan’s dad Wally tumbles
first, Rory’s dad next, beer bottles
in long rows, soldiers holding
the innocent by-standers at bay,
as they fall, each one pushing
the other down in, the tinkle
of glass becomes a tiny scream,
as anger burns the myth
into the air, as my father
shoots his last shot, his body
in flight, arms aloft, rolled out
as the wing bones extended
into his aim. The ball, a sun
trying to set one last time.

C.L. Liedekev is a writer/propagandist who lives in Conshohocken, PA with his real name, wife,
and children. He attended most of his life in the Southern part of New Jersey. His work has been
published in such places as Humana Obscura, Red Fez, Open Skies Quarterly, River Heron
Review, and Vita Brevis. His real goal is to make the great Hoboken poet/exterminator Jack
Wiler proud. So far, so
good.

Later Never Comes by Catfish McDaris

Later Never Comes

In the storms of life, the
sky falls apart and lights
the hidden sun, an orange
pomegranate on the indigo

Shadow horizon, leaves
whisper to each other
in a secret language, do they
love the trees that caress and
cradle them through life

Time on earth is a Dancer’s
hunt for shelter, you are
my roof, fire, and blanket

Hearts are jigsaw puzzles
with missing pieces, can
you hear the teardrops fall
in a torrid cloudburst.

 

 

Catfish McDaris won the Thelonius Monk Award in 2015. His 30 years of published material is in the Special Archives Collection at Marquette University in Milwaukee, Wisconsin. Catfish is from Albuquerque and Milwaukee.

Schoolyard Rules by Brian Rihlmann

Schoolyard Rules

I think it was fifth grade
when the school bully
found a wallet on the ground 
during recess and decided
he’d keep it

but one of the teachers 
discovered what was going on
and took it from him 
saying, No…no…
this doesn’t belong to you
we have to return it
to its rightful owner 

he didn’t like that
not one bit
he grabbed at the wallet
as she held it aloft
and a crowd gathered 
surrounding her

the next thing I remember was her
screaming as she was shoved
into a fence over and over 
by this mob 
of pint-sized savages

while I watched
from an outer circle
stunned
paralyzed 

and later
we were pulled out of class
one by one 
into the hallway
and interrogated
about what we’d seen
and asked who was involved 
in this terrible thing

I can’t remember 
exactly 
what I said…
but I already knew
well enough

to say I hadn’t really 
seen 
what I had
seen

or else

Brian Rihlmann lives in Reno, Nevada. His work has appeared in many magazines, including Chiron Review, The Main Street Rag, The American Journal Of Poetry, and New York Quarterly. He has authored three collections of poetry, most recently “A Screaming Place,” (2021) by Cajun Mutt Press. 

Baton Met by Ivars Balkits

Baton Met

The baton passes from left to right hand, anxious to be passed. With the anguish of the tether on the
precipice, I am thinking the full length of it: the damp, fluffed-out flame.

Still bag-like and sift, the local light of personality waits on the sofa for a soda. The stones tear at my
blue-striped job-hunting jacket, which I remove and throw into a floppy disk drive

The abominable snowmen still don’t know what to do about the lightning. Heads open at the top –
flakes updraft, in the bill-thick half-plops cracking; the neck of the river holds it together, glugs.

How like the moment the quake goes around the equator in no time – its old weight rubbing against the
marble.

2.

A sponge for insight isn’t carbon-quick enough to counter this coolly calculated warmed-up simile. It
grows filaments and forms stone dressing.

Between the collapsed cake of root energies to the tangled halo, its secrets are lodged protectively in
the kidney. The leaves split off from the slice of pizza. The star writhes in the stiffening cheese.

Saddled with moving-day clutter, a stick figure crawls out from the toroid pool. The guitar-hole flings its
garlands of ball-pointed bed springs about. An anatomical torso counters with cash.

Such perseverance and devotion, with face hints in the thicket, that steam up from twigs forming a
shawl-cloud – except where the bottom pool has formed a wheel over the torus (always a torus).

 

 

Ivars Balkits has retired as a writing tutor and  course facilitator at Ohio University whose prose and poetry have been published on various literary journal web sites. He is a recipient of two Individual Excellence Awards from the Ohio Arts Council, for poetry in 1999 and creative nonfiction in 2014. 

 

 

Two Poems by Ryan Quinn Flanagan

Mr. Wexler Checks On His Garbage  

Mr. Wexler checks on his garbage,  
at the end of a long stone drive.  

Stands over it inspecting the bags for holes.  
Checking and rechecking to make sure
the ties are still taut
before standing with pygmy hands on hips, 
looking both ways down to the end of the street.  

Wondering if there is something wrong with his garbage.
They should have been by already.
He has not forgotten that one time they didn’t
take it.  

He stands and waits for the truck.
Watches over them now.  

Expecting them to refuse him.
Standing a few moments in surprise.  

Watching the truck lumber up the street  
with his rubbish.  

Before rushing back inside to start
all over again. 


 

Curses  

Swaddled and soused,  
the rambling mouth of riverbed curses  
pub crawling along with papa legba garden sluggery;  
Belief just a forger, your superstitions gathered like 
the horizon-absent clouds, chants and charms of 
bedazzled macaw where one would pry open the can
and look deep down for Reason –
what is left around the cauldron is a singular leprosy,
tears in stockinged feet that spill out over lonely mesh:
a spell, a speak, and where your broom to sweep?
Devoid of dark and arts and those who would readily listen,
my ears turned to corn stocks sold at market
by the bushel.  

 

 

Ryan Quinn Flanagan is a Canadian-born author residing in Elliot Lake, Ontario, Canada with his wife and many mounds of snow.  His work can be found both in print and online in such places as: Evergreen Review, The New York Quarterly, Fixator Press, In Between Hangovers, Red Fez, and The Oklahoma Review.

AGED by Edward Lee

AGED

A hermit crab
has taken my skull
as its own,
scooping out my brain
to fall on the wet sand
of the beach
I used to
wander on
as a child
alive with dreams
and possibilities,
manifold paths stretching before me,

a beach I don’t recall
coming to today –
and yet here I am,
somehow – or any day
of my crowded adulthood,
the paths before me fewer,
their surfaces cracked
with weeds one might mistake
for flowers.

 

Edward Lee’s poetry, short stories, non-fiction and photography have been published in magazines in Ireland, England and America, including The Stinging Fly, Skylight 47, Acumen, The Blue Nib and Poetry Wales.  His play ‘Wall’ was part of Druid Theatre’s Druid Debuts 2020. His debut poetry collection “Playing Poohsticks On Ha’Penny Bridge” was published in 2010. He is currently working towards a second collection.

He also makes musical noise under the names Ayahuasca Collective, Orson Carroll, Lego Figures Fighting, and Pale Blond Boy.

His blog/website can be found at https://edwardmlee.wordpress.com

Sh-Boom, Sh-Boom by Howie Good

 

Sh-Boom, Sh-Boom

Mother awakened me in the morning. There was now a lake of ash where there had never been
one and behind it a pair of wrinkled mountains like a giant’s cracked, dusty boots. Birds on a
fence idiotically chanted, “Sh-boom, sh-boom.” I picked up a stone and threw it without taking
careful aim. Some people who were passing would later say the expression on my face made
everything worse. I hadn’t even realized I was smiling.

                                                                                                          &

Life there felt a lot like life elsewhere – steel bars on windows and suicide nets on roofs.
Hatchet-faced men in leather trench coats would grab people right off the street. The last words
of a prisoner were eerily prophetic. “Ah,” he said, “the cows. . .” Work parties threw the corpses
in ovens or down wells, often slaving at rifle point through the night.

                                                                                                            &

The angels were dry-mouthed and sweaty and feeling like they hadn’t slept for days. A rogue
herd of cows in gas masks had stampeded. I stared out at the sign by the church when I should
have been watching the road. Love Like Jesus, it said. Nice sentiment, I thought, as the sun sank
in a profusion of toxic colors, a ship full of chemicals burning intently at the edge of the world.

 

 

Howie Good is the author of more than a dozen poetry collections, including most recently Gunmetal Sky (Thirty West Publishing).

I Am No Longer Me by John Patrick Robbins

 

I Am No Longer Me

Just a worn out shell like a vacant building, that haunts the landscape seen by a random passerby.

Sometimes the sadness can become comforting in the oddest sense.
Like a snail to its shell.
It's simply part of our being.

A hideaway to deaden yourself to all.
Sometimes the pain becomes all we ever need before this nonexistent party ends.

Some view me as something I never was but delusion beats rose colored glasses.

And a dance and death spiral.
Hold odd similarities disturbing and beautiful all the same.

Sorry for my morbid disposition.
But I am no longer the stranger I once knew as me.

 

 

John Patrick Robbins,  is the editor in chief of the Rye Whiskey Review he us also the author of The Still Night Sessions from Whiskey City Press. 

His work has been published in Fearless Poetry Zine, Punk Noir Magazine, Piker Press, San Pedro River Review,  San Antonio Review,  The Dope Fiend Daily Lothlorien Poetry Journal. 

His work is always unfiltered. 

“blessing” by Tohm Bakelas

“blessing”

god said, enjoy your
afternoon, you deserve it.

thanks, i said, i’ll try.

he shook my hand
and walked away

45 minutes later
i sat in the spring sun
on a poorly painted porch
drinking mexican beer

i got to thinking about god,
how he’d been involuntarily
committed for the past 6 years,
i wondered if he’d be happy to know
i was enjoying my afternoon

then a breeze came by
and i thought about something else.

 

Tohm Bakelas is a social worker in a psychiatric hospital. He was born in New Jersey, resides there, and will die there. His poems have appeared in numerous journals, zines, and online publications. He has published 10 chapbooks. He runs Between Shadows Press.